A collection of writings, articles, essays, and documentation...

To view my full CV as of Spring 2025, please click here.


Noise from the Underground: Selected Texts 2009--2024

This collection brings together fifteen years of notes, essays, and compositions from a working life in experimental music. Originally intended as academic research, it became a personal project driven by curiosity rather than credentials. The texts explore music-making across tools and formats: from live electronics and noise, to systems-based composition, orchestration, arrangement, practice and performance. A record of ideas, questions, and aesthetics. A document for the future.
VCR Publications Book Site


pyAMPACT: A Score-Audio Alignment Toolkit for Performance Data Estimation and Multi-modal Processing

Co-authored with Johanna Devaney (primary author) and Alexander Morgan
Proceedings of the 50th Annual International Computer Music Conference


Zero to 16383 Through the Wire: Transmitting High-Resolution MIDI with WebSockets and the Browser (2021-2023)

Presented at IRCAM Forum, NYCEMF, VU Symposium, Australasian Computer Music Conference


Dynamic Stochastic Control Voltage Generation: Adapting Iannis Xenkais' GENDY Program for Modular Synthesizer (2021)

Emille, the Journal of the Korean Electro-Acoustic Music Society Volume 19 (2021)


Control Surfaces: Using the Commodore 64 and Analog Synthesizer to Expand Musical Boundaries (2021)

Presented at SEAMUS 2021: Supplemental paper to the recordings of the same name


COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web Browser (2019)

14th International Symposium on Computer Music Multidisciplinary Research (CMMR) Proceedings: 2019; Marseille, France. Page 383.


Live Coding Control of a Modular Synthesizer with ChucK (2019)

Guest Submission for Toplap.org